• Performance

  • LAB ESCÉNICO

The passions of Marina Abramovic: a virtual meeting with the performance pioneer

LAB ESCÉNICO

Chile

  • English with translation into Spanish


An open conversation with the artist, one of the world's leading performance references, who will answer questions and reflect on the themes that run through her provocative work, of which six records are available on Teatroamil.TV.

Pain, the limits of the body and mind, the radicality of performance, the male-female duality and identity will be some of the topics that will emerge in this unique and intimate experience, organized by Lab Escénico of Fundación Teatro a Mil.

© Marina Abramović

Marina Abramovic

La performista

Pionera de la performance en todo el mundo

Since she started her career in Belgrade, Serbia at the beginning of the seventies, Marina Abramovic has been a pioneer of the performing arts, creating some of the most important initial plays of the performance discipline. By exploring her physical and mental limits, she’s resisted pain, exhaustion and danger in her quest for emotional and spiritual transformation.

Abramovic won the Golden Lion for Best Artist at the 1997 Venice Biennale. In 2010, she put on her first retrospective in the United States and simultaneously acted for more than 700 hours in The Artist is Present at the New York Museum of Modern Art. She founded the Marina Abramovic Institute (MAI), an immaterial platform of long duration to create new collaboration opportunities for thinkers from any field.

Her most recent work has been Walk Through Walls: A Memoir, published by Crown Archetype on October 25, 2016. Her retrospective The Cleaner was inaugurated at the Museum of Modern Art in Stockholm in February 2017 and toured seven other European sites, ending at the Museum of Contemporary Art in Belgrade, Serbia in 2019. In September 2020, the Bavarian State Opera put on the world premiere of 7 Deaths of Maria Callas, which will go on to tour other places. In 2021, she’ll put on the individual exhibition After Life at the Royal Academy, becoming the first female artist in the institution’s 250 year history to fill all the gallery’s space with her work.

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